Her poetry has been published widely in anthologies and magazines in Australia and overseas. Her most recent poetry publication is Theatre (Salt Publishing 2008). Other titles include Ash (Cusp Books, Los Angeles 2007); November Burning (Vagabond Press Rare Objects Series, Sydney, 2004); Mnemosyne, (Wild Honey Press, Ireland, 2001); The Common Flesh (New and Selected Poems) (Arc Publications, UK, 2003) and Attempts at Being, (Salt Publishing, UK, 2002).
Her first book of poems, This is the Stone, won the 1991 Anne Elder and Dame Mary Gilmore Prizes. Her novel Navigatio, published by Black Pepper Press, was highly commended in the 1995 Australian/Vogel literary awards and is being translated for publication in France. Her second book of poems, The Blue Gate, was released in 1997 and was shortlisted for the Victorian Premier's Poetry Prize. Attempts at Being was shortlisted for the Kenneth Slessor Poetry Prize in the NSW Premier's Literary Awards and also was nominated for a Pushcart Prize in the US.
She has toured frequently in the UK and the US, among other things reading at the Poetry International Festival at Royal Festival Hall in London, the Soundeye International Poetry Festival in Cork, and the New Writing symposium at the University of East Anglia. In 2000 she was the Australia Council Writer in Residence at Pembroke College, University of Cambridge (UK).
Alison Croggon is also the author of the acclaimed young adult
fantasy
quartet, The Books of
Pellinor.
The first volume was
nominated
in two categories in the Aurealis Awards for Excellence in Australian
Speculative
Fiction in December 2002 and named one of the Notable Books of 2003 by
the Children's Book Council of Australia. The series has since been
released to critical and popular acclaim in the US the UK, Germany,
Spain, Portugal and Poland. The audio edition is in preparation for the
US and Australia/New Zealand.
Alison has to date written and had performed
nine works for theatre. Her theatre work includes the operas Gauguin
(Melbourne Festival 2000) and The Burrow (Perth Festival,
Sydney,
Melbourne 1994-95 and broadcast by ABC Radio), both with Michael
Smetanin. Her performed plays include Lenz (Melbourne
Festival 1996), Samarkand
and The Famine (Rules of Thumb season, Red Shed Company,
Adelaide 1997 and ABC Radio 1998), Blue (CIA, La Mama,
Melbourne and the Street Theatre, Canberra, 2001). ABC Radio
commissions include Monologues for an Apocalypse (2001) and Specula
(2006). She also wrote lyrics for
Confidentially
Yours (Playbox Theatre 1998, Hong Kong Festival 1999).
Many of her
poems
have been set to music by various composers, including Smetanin (Skinless
Kiss of Angels, Elision New Music Emsemble), Christine
McCombe and Margaret Legge-Wilkinson (Canberra New Music Ensemble)
and most recently Andreé Greenwell.
She was a member of of the 2005 and 2006 Artistic Counsels for the Malthouse Theatre in Melbourne, and in 2009 was one of the members of the Arts Stream for the Australia 2020 Summit. She was poetry editor for Overland Extra (1992), Modern Writing (1992-1994) and Voices (1996) and is founding editor of the literary arts journal Masthead.